Sunday, April 20, 2014

Thorwald's Cross: Easter Sunday, 2014


With wars and rumors of wars in the news, I found myself haunted this Easter by Thomas Hardy's "Channel Firing." This sonnet represents my attempt to respond in faith. Thorwald's Cross on the Isle of Man in England is a Viking stone that depicts the death of the old Norse gods as the Norsemen embraced Christianity. For a fuller discussion of this kind of symbolism, see Malcolm Guite's incomparable Faith, Hope and Poetry.  Thanks to my student and co-worker Rochelle Roots for the accompanying photo of the Garden Tomb in Jerusalem.

We look for resurrection in the East,
But east of east find resurrected war
In nations that proclaim the paschal feast,
Salute the cross of Sunday's risen Lord.
He laid down life and emptied out the tomb.
We cling to live and fill a million graves.
Our one-eyed Odin scatters right-hand boon
But on his blind-side takes more than he gave.
Ragnarök rises from Yggdrasil's tree,
While Calvary's Lord's unblinking, two-eyed stare
Knits love and knowledge. He can hear and see
The dying revolutionary's prayer.
We fill up graves to keep our grave unfilled,
But emptied tombs tell us how death is killed.

Friday, April 18, 2014

A Corona of Thorns: Sonnets for the Stations of the Cross

7. Christ is Placed in the Tomb

The breath of God returns now to its birth,
The second Adam’s dust to Adam’s dust.
Some spices seek to cheat devouring Earth
Of her fair prey for Eden’s broken trust.
Through Him one son, one daughter dodged the grave,
And Lazarus the grave clothes shortly left,
Undid their dying ‘til another day:
But death’s Undoer’s now been done to death.
With Roman signs and soldiers seal the tomb
To guard from those whom fear now holds in ward.
With bars and bolts lock up the upper room
To ward off those whom fear now keeps on guard.
And silently inside the tomb Christ lies:
Here falls he last to know that he must rise.

A Corona of Thorns: Sonnets for the Stations of the Cross

6. Christ Dies on the Cross

He clothes our naked guilt with his last breath
Breathed out to shape a small child’s bedtime prayer.
The breath of life now stopped by breathless death
Commits itself into to the Father’s care.
From Adam’s nostrils God’s gift now withdrawn
That finished Eden’s work and gave us life.
Our bodies nothing now but fleshy brawn,
Our days now nothing but survival’s strife.
The One whose Breath once brooded on the deep
Of chaos’ void and called forth dark’s first light
Now sinks in darkened night and breathless sleep,
That suffocates our souls in airless plight.
They free his corpse. They handle mangled earth.

The breath of God returns now to its birth.

A Corona of Thorns: Sonnets for the Stations of the Cross

5. Christ is Stripped of His Garments

He, naked, waits for hate’s uplifting stroke,
An emptied bucket dancing in the air,
Foul spittle’s target, butt of scoffing jokes:
With God nailed safely what will men not dare?
The first blood ever drawn by him was shed
To make a cloak for our first parents’ shame.
Now his own blood he offers in our stead
And hangs exposed, uncovered, blasted, blamed.
What hope for naked sinners when the King
Of Heaven lifted high for all to see
Lacks any veil to veil his suffering?
What hiding place for us now can there be?
Our Covering uncovered covers us:
He clothes our naked guilt with his last breath.

A Corona of Thorns: Sonnets for the Stations of the Cross

4. Christ Addresses the Women of Jerusalem

He turns our tears to those for whom he weeps:
The victims of war’s purple testament.
A woman’s tenderness of heart he seeks
To see the price of power, and lament.
The tree he bears, though dead, is green with hope
Of life lived out in meek humility,
And violence overcome by love’s wide scope,
And ending of the sword’s futility.
We weep beside the way of Calvary’s cross,
Yet set aside our crosses for the way
Of swords drawn to revenge our pain and loss,
And yet more swords in yet a drier day.
‘Neath our false tears he falls yet full of hope
And naked waits for hate’s uplifting stroke.



A Corona of Thorns: Sonnets for the Stations of the Cross

3. Saint Veronica Wipes the Face of Christ

A human hand here helps a human God
To clear his sight. He who has healed the blind
Is blinded now by sweat and salty blood.
She can’t stop cruelty, but she can be kind.
The first veil ruined on this ruined day
Is freely given. Face to face she sees
The face of him who walks for her this Way
Of Sorrow, slave who slaves to set her free.
Like all we give to Christ this cloth comes back
Infused with that true icon of his gaze.
She bears his victory in a simple swatch
Of linen set with sacred blood ablaze.
We never see his face in what we keep.
He turns our tears to those for whom he weeps.

A Corona of Thorns: Sonnets for the Stations of the Cross

2. Christ Falls the Second Time

He falls again to find he cannot rise,
Though inclination be as sharp as will.
This body no mere seeming, no disguise,
The God-Man truly man, for good or ill.
A Roman sword athwart a pilgrim’s way
Derails devotion, unslays sacrifice.
A passerby who longs his lamb to slay
Must now by-pass that plan to pay this price.
Though from the temple courts now balked by blood
Of man from shedding blood of goat or bull,
He leads a truer lamb behind this rood,
Enters a truer temple at the Skull.
Diverted from the way he would have trod,
A human hand here helps a human God.



A Corona of Thorns: Sonnets for the Stations of the Cross



1. Christ Falls the First Time

Here falls he first and knows that he must rise.
On this flint bosom her condemned Lord
Would snuggle as the swaddled infant lies,
These public stones his secret, stable ward.
A rude beginning when there was no room
Makes now less rued this resting from the rood.
They would have stoned him when it was too soon,
Now seeks he stones to bathe with salty rheum.
But yet redemption lies a weary way
Ahead and Roman pikes yet pry and prod,
A seven-sentence sermon yet to say,
A hangman yet to name him Son of God.
He rises, struggles onward for the prize,

Then falls again to find he cannot rise.